Don't Take Advice From Customers (and Who to Listen To)
A customer's advice is about what he wants, not what pays you. Take floor advice from earning dancers, prices from the house mom, and the rest from your log.
A customer's advice is a description of what he wants, dressed up as a tip. When he tells you that you should smile more, charge less, wear less, let him touch, or "be more natural," he is telling you how to make his night cheaper and better, and none of it is about your money. The dancer who trained new hires at her club for seven years puts "taking advice from customers" on her short list of beginner mistakes, and the reason is simple: he is the one paying, and advice from the person paying is always advice about paying less. Take floor advice from dancers who are earning, pricing advice from the house mom, and everything else from your own numbers.
Why customer advice is always wrong, even when it sounds right
Some of what customers say is true in a narrow way. A regular might know which nights are busy. A man who has been to a hundred clubs can tell you what dancers in Vegas charge. But the frame is always his. Three patterns cover almost all of it.
"You'd make more if you..." followed by something that benefits him. Let him touch, do longer dances for the same price, sit with him for free because he is "going to take care of you" (/advice/the-guy-who-says-hell-take-care-of-you). A reporter who talked to working dancers about what newcomers get wrong found one who had let customers grope her for months because men told her it was normal, and only learned from other dancers that it was not. That is customer advice at its most expensive.
"The other girls..." meaning another dancer does something he would like you to do. Sometimes it is true, sometimes it is a bluff, and in both cases it is a price negotiation. The reply is in /advice/pricing-without-flinching: your price is your price.
"You're too good for this" or any variation on "you should quit, you should let me help you, you could be a model." This is not advice, it is a hook, and it is how the customer who wants more than a dance starts. /advice/the-regular-who-wants-more covers where it goes.
The customer who means well is still describing his own fantasy of the job. The customer who does not mean well is doing it on purpose. Neither one has seen your cash-out.
Who do I take advice from?
Dancers who are earning at your club right now, the house mom on prices and rules, the floor staff on which customers to avoid, and your own shift log on everything else. In that order, and with the caveat that every dancer's advice is shaped by her own body, persona, and club, so you test it rather than adopt it.
Earning dancers. Not the loudest in the dressing room, not the prettiest, the one who leaves with money on slow nights. Dancer-safety guidance says to ask working dancers rather than managers about how a club really runs, and the same logic applies on the floor. Buy her a coffee, tip her for her time if that is the culture, and ask specific questions: "What do you say when they say maybe later?" gets a better answer than "any tips?" A dancer who worked thirty clubs says to be grateful to mentors and pay it forward, which is also how you find the next mentor.
The house mom. She sets baseline rates and knows the rules the manager will not say out loud. Ask her the minimum, the room structure, the tip-out expectations, and what gets dancers fined. A good house mom is a safety asset as well; a bad one just collects money, and you will know which within a week.
Floor staff and the DJ. Bouncers know which customers are trouble and which tables have money; the DJ sees the VIP count and knows the rhythm of the room. They are also the people who steer customers to dancers who tip them. /advice/tip-out-is-an-investment explains the exchange.
Your log. The single most reliable adviser you will ever have is a month of your own shifts written down: what you made, which nights, which customers, what worked. Dancers who keep one stop arguing with themselves about whether day shift pays or whether the room sells on Thursdays, because the answer is on the page.
Advice from the internet
Dancer forums, Discords, and advice from vets online are the modern dressing room, and they are useful with two filters. First, is the person earning, or selling a course about earning? Coaches have the most organized material and the strongest incentive to overclaim; use their frameworks, test their claims. Second, is it dancing advice or content? Reporters who interviewed working dancers about social media found a consistent complaint: the thousand-dollar-night videos are real for some dancers on some nights and leave out the house fee, the slow Tuesday, and the dead summer. Dancers who went in expecting the video got hurt by the gap. /advice/slow-nights-are-structural is the correction.
The old forum that held twenty years of searchable advice closed in 2023, and dancers who used it mourn it specifically because you could look up what a dozen vets said about a problem and see where they disagreed. That is the standard for internet advice: more than one voice, and the disagreement visible. A single viral clip is not that.
What about a regular who really does know the industry?
He still only sees the customer side. A regular who has spent twenty years in clubs knows what he likes and what he has seen dancers do, and some of it is useful: which clubs are busy, what rooms cost across town, how other clubs run their VIP. Take that as information about the market, the way you would take a review. Do not take it as advice about you. The moment his information becomes a suggestion about your price, your contact level, or your time, it has turned back into customer advice, and the rule applies. A dancer who kept a column on customer behavior noted that the regulars worth keeping were the ones who understood the boundaries without needing them explained; a regular who keeps explaining your job to you is telling you something about himself.
Testing advice instead of swallowing it
Even good advice from an earning dancer is a hypothesis for your body, your persona, and your club. The habit that separates dancers who improve from dancers who churn is testing: try the thing for three shifts, write down what changed, keep it or drop it. A line that works for the funny dancer may not work for the quiet one. A pricing move that works at a club with a forty-dollar minimum may not at a club with a twenty. Your log settles it, and nobody's opinion does.
Do this tonight
- When a customer gives you advice, hear it as a description of what he wants and answer with your price.
- Find the dancer who leaves with money on slow nights and ask her one specific question.
- Ask the house mom the minimum, the room structure, and what gets dancers fined.
- Treat any viral number as a claim and check it against your own cash-out.
- Test one piece of advice for three shifts and write down the result before deciding.
Sources
- https://bostonhassle.com/?p=2235929
- https://tangerine-ruby-73wt.squarespace.com/bits-and-blogs/faq-what-advice-would-you-give-to-someone-wanting-to-start-stripping
- https://poleconvention.com/general/so-you-want-to-be-a-stripper-part-2/
- https://tuscl.net/article/62573
- https://www.inverse.com/input/culture/strippers-exotic-dancers-tiktok-youtube-misconceptions
- https://dancersinfo.pages.dev/personal-safety/before-going-into-work
- https://nylon.com/life/stripperweb-shut-down-2023
Hotline is the private work number, the book of regulars and the shift ledger, in one app. Free to start.
Open your bookKeep reading
- Floor Etiquette: The Unwritten Rules of the Club FloorDo not poach, do not approach the rail, tip your stage, keep your money quiet, and settle nothing on the floor. These rules keep the dressing room on your side.
- Lead With the Expensive Option: Anchoring on the FloorName the room first and the dance second. The first price he hears becomes the measure for everything after it, so make it the biggest thing you sell.
- Maybe Later and the Second Pass: Looping Without Losing HimTreat maybe later as an appointment. Name the time, leave warm, do a real loop of the room, and come back once with a plan. Twice at most, then he is done.
- Objection Handling: The Eleven Nos and What to Say BackMost floor refusals are one of eleven lines. Each has a sorting rule and a reply; the skill is knowing in one sentence which nos to work and which to walk.